I remember when certain Cubans would tell people orisa was not from Africa. It was relatively common for folks to say, “Sango is from Havana; Ogun is from Matanzas.” Astonished, I would explain how their assertions defied all of West African history and had no validity, according to Odu Ifa. I would challenge them to reveal the sources of their claims. Of course, they could not divulge any such sources because they were non-existent.
Back in the 1990’s, this happened more frequently that you can imagine today. In fact, they had an entirely alternate history that had no basis in reality, but was being presented and accepted without question, wherever their tradition was practiced. I realized the extent to which our people were being misled by playground legends, manipulation and bullying. It prompted me to become a leading proponent of the phrase, “Show me the Odu!” So when I see African Americans being hung out to dry for claiming Jewish identity, it pains me. I know they cannot produce the documentation to substantiate their claims. Like the misguided Cubans who would have you believe Sango is from Havana, they are mistaking folklore for reality. Unlike the community scholar/activists of old - like JA Rogers, Steve Cokely, Amos Wilson, Chancellor Williams, George GM James - these contemporary brothers are not doing their homework. Watching a documentary, a 30 minute google search and copying other people’s Facebook posts is NOT scholarship! It is not insufficient to refute 2000 years of documentation. When people - outsiders or insiders, alike - misrepresent orisa tradition, we rightfully stand up to say NO! We use when we KNOW to refute falsehood. In this era, everything can easily be fact checked. So save yourself the hardship and do your homework!!! Do no speak on things you do not KNOW. Most importantly, calculate your words and actions according to your MEASURABLE GOALS! Sango and Oya work together for a reason; she illuminated the target so that he might strike with PRECISION! I am in search of leaders who are committed to improving the world through positive and precise influence. If that is you, find out how Obafemi Origunwa and the Orisa Lifestyle Academy can help you take your practice and your life to the next level. Join us today: orisalifestyle.com. #orisalifestyle
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Why is egungun considered a male society? When my American clients hear this, it tends to stir a little bit of panic at the thought of being left out. Oftentimes, they get the idea that women cannot have access to their ancestors, which is understandably concerning. Likewise, the idea that a person cannot venerate the women of their lineage is equally troubling for many people. However, this is NOT what we mean when we say that egungun is a male society.
Firstly, we have to understand EXOGAMY before we can approach the subject of egungun. Exogamy is the social norm of marrying outside one's social group. The group defines the scope and extent of exogamy, and the rules and enforcement mechanisms that ensure its continuity. In the case of the Yoruba, men own land and property, which means they stay on their ancestral lands. Women, on the other hand, move into their husbands' compounds upon marriage. So, if you imagine a kingdom with 100 family compounds, all the men stay put and the women move away from their fathers' compounds into their husbands' compounds. The system ensures that people are not marrying within their bloodlines. Politically, Yoruba exogamy mirrors the lifestyle of the king, who traditionally must remain within the palace walls. Meanwhile the queen governs the marketplace and is free to move about the kingdom. If you play chess, the dynamics will be immediately familiar to you. Egungun is the ancestral society of a lineage, a society or a kingdom. To further clarify what that means, you also have to understand that Yoruba people are traditionally buried in the family compound, not in a grave yard or cemetery. So, since the men own the property and people are traditionally buried in the family compound, it is understandable why men are the custodians of ancestral rites. This does not, however, mean that only men venerate the ancestors. Everybody in Yoruba land has access to their dearly departed relatives. It's just that men are the primary priests who facilitate the ancestral ceremonies. In a verse of OyekuOsa, Ifa says that somebody's ancestral home has been abandoned. Consequently, this individual needs to return to the ancestral home of his paternal lineage and feed the souls of the dearly departed, as well as the divinities they served: Eekan okuna abita parapara jana Ifa’s message for Orunmila When going to repair his deserted ancestral home He was advised to offer sacrifice He complied Ifa will turn a deserted site into a living home Orisa will turn a sitting room to a market Ifa will turn a deserted site into a living home - Holy Odu OyekuOsa Here, Ifa is not merely advising this person to make offerings and prayers. Instead, the individual is being told to literally return to his ancestral home and tend to the graves of his ancestors with the intent to revive the family home and lineage. Obafemi Origunwa, MA | OrisaLifestyle.com #orisalifestyle Work is a spiritual endeavor of the highest magnitude. A man who is willing to work can enjoy the favor of the orisa and the support of his contemporaries.
Yoruba culture is filled with proverbs, songs and stories that extoll the virtues of work. The Yoruba say, The sun rises and the lazy man hisses in contempt but the hard worker rejoices. They go on to say, Work is the antidote to poverty. And so, when you see a man who prospers as a result of his labor, you honor him and celebrate his success. Conversely, a lazy man, who refuses to make use of the resources provided by his prenatal choice, is not worthy of praise. A lazy man is an enemy to himself and the community. Such a man is not worthy of devotion. One verse of EjiOgbe makes the lesson very clear: "Do your work" "I am not working" This was the Ifa cast for the lazy person He who sleeps until the sun is overhead He who relies on that which is possessed through inheritance exposes himself to suffering If we do not toil and sweat profusely today We cannot become wealthy tomorrow "March through the mud" "I cannot march through the mud" "If we do not march through the mud Our mouths cannot eat good food" These were the declarations of Ifa to the lazy person He who possesses strong limbs but refuses to work He who chooses to be idle in the morning He is only resting for suffering in the evening Only toiling can support one Idleness cannot bring dividends Whoever refuses to work Such a person does not deserve to eat If a lazy person is hungry, please let him die Dead or alive, a lazy person is a useless person - Holy Odu EjiOgbe "He who chooses to be idle in the morning is only resting for suffering in the evening" is a warning. The morning represents youth. As a young man, you must become addicted to work if you truly intend to walk among the champions later on. By extension, the morning represents the beginning of any endeavor. When you start something, be willing to work hard until it is completed to the highest standards possible. Thus, willingness to work is a fundamental attribute of nobility. And so, it comes as no surprise that Chief Lanre Dada Okemuyiwa is esteemed, respected and honored everywhere he goes. Among the youth, as well as the elder priests he is a recognized authority. In the midsts of lawyers, businessmen and politicians he is respected as a leader. Within his family, he is cherished and shown deference without hesitation. All of this is the result of decades of focused and diligent work. Ijimere, the diviner of physical fitness and beauty Cast Ifa for Arisemase Idireterete He was asked to sacrifice in order to work And not be afraid to work The sacrifice; a ram, a hoe, a machete and a dog We asked why? Ifa said, a hoe never fails to work A machete is never sick A dog gets to work relentlessly A ram fears no opposition - Holy Odu Idinleke The Yoruba say, Many want to make a mark without effort, yet without effort, no marks can be made. Chief Lanre has made his mark in the world. I pray that Olodumare will continue to bless him with the resources he needs to make a legendary mark upon the world. Ase. Obafemi Origunwa, MA | OrisaLifestyle.com #OrisaLifestyle The time has come to silence the detractors with overwhelming enthusiasm. When good people remain silent in the face of detractors, we become enablers of destructive habits. Many people are reluctant to take a stand against detractors, gossipers and trouble makers because you are afraid of becoming a target. Rest assured, Ifa tells us that Olodumare, Ori and Ifa are your most important supporters. With these three, you will forever remain more powerful than all opposition.
The working of the grinding stone And the functioning of the grinding-stone Pregnancy makes the breasts protrude Ifa’s messages for He who-they-are-discrediting But who Olodumare is supplementing He was advised to offer sacrifice He complied If someone refuses to greet me Let the person sit down The greeting of Olodumare is more than those of 200 people If someone refuses to salute me Let the person be seated The greeting of my Ori is more than those of 200 men If someone refuses to compliment me Let the person go and sit down The greeting of my Ifa is more than those of 200 human beings - Holy Odu OsaIrete Align yourself with Olodumare. Look to Ifa for support. Seek first acceptance from ori. With them, you have the power to let all detractors be seated and remain silent from now onward. Ase. Obafemi Origunwa, MA | OrisaLifestyle.com Can any woman become a member of Ìyàmi Òṣòrọ̀ngà? More and more, people want to know how to embody the power of Ìyàmi Òṣòrọ̀ngà. Are you born with this capability or is this something that you have to learn over time? Could anybody learn this particular craft? Can you be initiated into the society of Ìyàmi Òṣòrọ̀ngà?
First Things First: People want to know about the Ìyàmi Òṣòrọ̀ngà for several reasons; some think of it in terms of Western witchcraft. They have been influenced by modern forms of paganism, Wicca and the New Age Movement - not to mention things like Harry Potter. Others see Ìyàmi Òṣòrọ̀ngà as a form of feminine power that would enhance their ability to protect themselves, fight enemies or wield greater degrees of control. These influences have lead people to believe that Ìyàmi Òṣòrọ̀ngà is a power that any woman can access, based strictly her personal interests. And while there are some ritual specialists within the Orisa tradition who would willingly go along with such a notion, I have reason to disagree. All power - even if it is innate - must be cultivated and harnessed in order to be used effectively. What we are teaching in the School of Orisa Studies is a methodology with which you can slowly harmonize yourself with your true essence. If you cannot discover your true essence, how can you ever hope to convey your spiritual power through some other media? You can only manifest outcomes that you actually embody. If you were't born with it have to cultivate it. And like any seed that will be properly cultivated, you must create an environment conducive to that seed in advance. You can try to fake it, but it will not work. If you want to be able to emanate a certain energy, first you must make it real within yourself. What is not within you, you cannot manifest outside of yourself. You cannot give what you do not have. You cannot know what you have if you lack discipline and focus. The majority of the people are constantly shifting their priorities. Every few days, it is a new pursuit. How many times do you start the day with one intention and then forget about it until a few days later, when you are reminded of some unfinished business? People who are continuously making U-turns in the journey of life will obviously have severe difficulty in reaching their destination. Self discovery is not a haphazard process. You must follow an established pattern in order to create the kind of environment that is conducive to spiritual empowerment, including Ìyàmi Òṣòrọ̀ngà. When you enroll in the School of Orisa Studies, you set the stage for self discovery. Today you may be talking about Ìyàmi Òṣòrọ̀ngà as a path of spiritual empowerment. The challenge is to maintain this intention long enough to discover if you have the spiritual constitution to embody such a power. Ultimately, however, let it be your goal to become a living temple that is home to the Good Condition. Free eBook on Awon Iyami: https://bit.ly/shadowmothers-ebook #shadowmothers
In Trinidad, Osun is associated with the color pink. Oriki Osun teach us how Osun is synonymous with patience and attention to detail.
She is the one who removes every bone from her children’s food. She is a master braider, whose precision beautifies and adorns heads. When we speak of Osun, we are talking about the highest standards of excellence. She is synonymous with precision. Consequently, when the babalawo concludes his ritual, he will turn his attention to Osun to verify that things have been done to satisfaction. When Osun approves of your work, you can be confident that you have achieved high quality. When she disapproves, you know that it is in your best interest to improve. As the Cubans say, It is preferable to begin one thousand times than to finish one time poorly. Coincidentally, Osun is the patron of Cuba! Today, let us hail Yeye Otooro Efon! May she guide us out of mediocrity! Àse! May she help us to shun all inattention to detail! Àse! May she not allow us to accept second best! Àse! Learn more: OrisaLifestyle.com Obafemi Origunwa, MA | OrisaLifestyle.com #orisalifestyle Ogun kills on the right and destroys on the right.
Ogun kills on the left and destroys on the left. Ogun kills suddenly in the house and suddenly in the field. Ogun kills the child with the iron with which it plays. Ogun kills in silence. Ogun kills the thief and the owner of stolen goods. Ogun kills the owner of the house, and paints the hearth with his blood. Ogun is the forest god. He gives all his clothes to the beggars. He gives one to the woodcock — who dyes it in indigo. He gives one to the coucal — who dyes it in camwood. He gives one to the cattle egret — who leaves it white. Ogun’s laughter is no joke. His enemies scatter in all directions. The butterflies do not have to see the leopard - As soon as they smell his shit They scatter in all directions! Master of iron, chief of robbers, You have water, but you bathe in blood. The light shining in your face Is not easy to behold: Ogun, with the bloody cap, Let me see the red of your eye. Ogun is not like pounded yam: Do you think you can knead him in your hand And eat of him until you are satisfied? Do you think Ogun is something you can throw into your cap And walk away with it? Ogun is a mad god Who will ask questions after seven hundred and eighty years. Ogun have pity on me: Whether I can reply or whether I cannot reply: Ogun don’t ask me anything! The lion never allows anybody to play with his cub. Ogun will never allow his child to be punished. Ogun, do not reject me! Does the woman who spins ever reject a spindle? Does the woman who dyes ever reject a cloth? Does the eye that sees ever reject a sight? Ogun, do not reject me. from Yoruba Poetry (1970), ed. Professor Ulli Beier Alchemy is a scientific tradition, practiced in many parts of the ancient world. Each culture's manifestation of alchemy has been characterized by a particular set of objectives. One of oldest alchemical documents is called the Emerald Tablet of Egypt. It contains thirteen recipes for creating the philosopher's stone, an unknown substance sought out for its ability to transform base metals into gold and silver. In China, the ancients referred to lien tan, the pill of transformation. Principal among their concerns was immortality. Chinese alchemists ultimately aspired to become transformed into hsien, immortal beings who could shuttle between heaven and earth at will. The ancient Indian word for alchemy was rasayana, the way of mercury. Nagarjuna is revered as the father of Indian alchemy. He wrote the first book of Indian alchemical practices, called the Rasarathnakara. The objective of Indian alchemy was to discipline the body in order to expand consciousness to the point of being able to access any entity in the universe. [1] And while each is different from the other, all of these alchemical traditions made use of animal symbols. More precisely, animals did things like helped the alchemist create the philosopher’s stone, change base metals into gold and develop the elixir of life that promoted immortality. WHAT IS YORUBA ALCHEMY? In all sincerity, the Yoruba are not known to practice alchemy in the strictest sense of the word. That is, there is no Yoruba equivalent to the philosopher's stone. The Yoruba do not have a process of transmuting base metals into precious ones. There are no Yoruba treatises that we might compare to the Emerald Tablet or the Rasarathnakara. Instead, Yoruba ritual specialists limit the application of their crafts to spiritual empowerment, magical displays and the fulfillment of personal destiny. And while most people are familiar with the activities associated with the babalawo and olorisa, Yoruba ritual specialization also includes herbalists, dream diviners, bone throwers, surgeons, birth attendants, general medical practitioners (gbogbonise) stroke and hypertension healers, bone setters (teguntegun), pediatricians (elewe omo) and pharmacists (lekuleja). In an attempt to examine aforementioned disciplines through the lens of alchemy, let us consider the role of animal symbolism in Yoruba spirituality. From time immemorial, the Yoruba have considered animals to be totem creatures, imbued with mystic powers. Rodents, fish, mammals and birds are all recognized for their unique, spiritual properties. From an alchemical perspective, animal symbols function as a guide for how human life transforms both internally and externally, if we interpret them with precision. In an article on animals in Yoruba worldview, Ajibade George Olusola details "the Yorùbá perception of animals with regard to their classification, habitat, and their role and position in religious, political, social, economic, and domestic domains of humans. This leads to an appraisal of relationships that exist between the Yorùbá people and animals in their communities. [2] As is the case with all things Yoruba, we can look to the oríkì - praise poetry - of various animals in order to gain a better understanding of their importance to the indigenous worldview. Recitation of oríkì is thought to awaken one’s potential powers. The spiritual world is translated into the human world and directed through strategic recitation of oríkì. They hold the secret of the subject - the principles of its being - and the utterance releases its true power. Oriki, in this way, open channels between beings through which powers can pass and potentials emerge. In the same way that there are oríkì for kingdoms, orisa and individuals, there are also oríkì for animals. Here are a few examples, starting with Etu, the antelope: Etu Òbèjé Antelope Òbèjé Elésè osùn The one who has legs painted red with camwood Arítete- gbón-on-ni The one who has thighs with which to touch the dew Eranko tíí lé tìróò The animal that put on eyelashes Eranko tíí wa gònbò The animal that wears gònbò tribal marks This antelope oríkì describes its appearance. It mirrors the way the Yorùbá formulate and chant oríkì about human beings. In fact, the oríkì for Etu seem to personify the animal by highlighting its similarities to Yoruba beautification rituals. The antelope's natural marks on its face likened to gònbò tribal marks. Likewise, the use of camwood is synonymous with beautification, as well as spiritual empowerment. In these ways, Etu is praised for its natural beauty. Òbo, the monkey is another animal considered worthy of oríkì, mainly because of its close resembles to humans: Òbo akájá lóde The Monkey that teaches the dog how to hunt A-gbórí-ìtí-pète-ìkà The-one-who-schemes-evil-while-on-tendrils A-gbórí-ìtí-pète-èké The-one-who-schemes-lies-while-on-tendrils Ògbójú Akítì tíí gbàbon lówó ode The brave Akítì who seizes the gun from the hunter Eranko tíí tan ode wògbé sùàsùà The animal who lures the hunter into the thick forest The above oríkì shows that animals, like humans, are able to think and plan their activities in advance. Not only that, the monkey is bold enough to seize the gun from the hunter. Furthermore, while it is the duty of the hunter to teach the dog how to hunt, we see from the oríkì that monkey is also capable of teaching the dog how to hunt. Here we see that oríkì of Òbo praise the attributes that are reminiscent of human characteristics. Also, the leopard, Ekùn has its own oríkì. It goes as follows: Ekùn, Ògíní omo Ìyáyò Leopard, Ògíní offspring of Ìyáyò Ekun Abìjàwàrà Leopard who fights fiercely Eranko atoríméranje The animal that eats flesh from the head Alábelówó The one who has knife in its palm All attributes in the oríkì of Ekùn praise its powers and heroic character. Here, Ekùn is recognized for its ferocity. By its oríkì, we are to understand that Ekùn is the embodiment of danger. For this reason, Yoruba kings adopt the leopard as their regal totem once they ascent the throne. In the oríkì of Ata (king) Gabriel Osho of Ayede, he is praised for his “hot, dangerous and unlimited power: Leopard, who scrutinizes restlessly Who eats fire Who eats sun Sango, the orisa of lightening, is one of the few orisa visibly associated with the leopard. Leopard imagery associated with Sango refers to two aspects of his being; royalty and temperament. Sango is an aggressive king, who uses lightning as a destructive and violent force that strikes quickly and devastatingly. Similarly, Ekùn is considered a “hot” animal related to aggressive power, who strikes with merciless speed. An oríkì to Sango informs us this way:
...Strong person, leopard spotted, like Orisa Obaluaiye Leopard Father of the King of Ede White sky, sign of richness Owner of the terrifying thunder waller Owner of laba [wallets] filled with ase, like seasoned warrior Leopard on the hill... In this oríkì, Sango’s iwa (essential character) and violent personality become apparent. The leopard imagery repeated three times reiterates the aggressive and dangerous power associated with him. “The leopard has water, but bathes in blood” is an oríkì for Sango and for Ogun, both of whom share aggressive traits. In Yoruba ritual space, where oríkì are brought to life, sacred icons, as well as people are often painted with spots. These spots, referred to as finfin, are meant to stabilize sacred space. They “convey transformation and transcendence of worldly entities united with otherworldly forces” (Drewal and Mason 1998:78). John Mason states that “The finfin are often associated with the spots of the leopard,” who is not only able to see in the dark, but as lord of the forest has links to the “other world” and is the “ultimate avatar of transformation” (Drewal and Mason 1998: 78; Drewal and Mason 1997: 346). Sango is not the only orisa associated with the leopard. Osun, who is revered as the harmonious orisa of sweetness and high standards of excellence, also gives birth to leopards (Thompson 1993: 206-211): Grant us the destiny of the leopard In the house of my mother, the river Royal wives give birth to stalwart leopards Here, we glimpse Osun as the divine consort, who, in spite of her cool demeanor, gives birth to the firey and tumultuous leopard. Another feminine force within Yoruba cosmology that makes use of leopard iconography is Gelede. In fact, the leopard is one of the most popular of animal motifs used in Gelede (Lawal 1996: 244). During the annual festival of Odun Gelede, one of the most elaborate of Gelede performances begins with an all night festival, Efe. The highlight of the evening and last performer is the Oro Efe mask. Oro Efe is masculine and aggressive. References to Ogun and warriors are emphatic in his presentation. Here, the leopard image signifies the “sacred leadership of kings, chiefs and priest” and its role as king of the night, played out only through the consent of the female “Mothers” (Drewal and Drewal 1990:101). Oriki, praising “all-the-powers-that-be,” are sung by the maskers, ending with an oriki featuring Oro Efe’s own worthwhile attributes: If a child sees a leopard, he will forget all about a matchet If an adult sees a leopard, he will forget all about a gun There is no animal like the leopard I, Alabi, the knower of secrets, am here Everything is under my control, just as a lion uses its urine to cast a spell in the forest The elephant is a king among animals There is nothing like a small snake I am the senior historian My father, Osefegbayi, Oseni Logo Was a force to be reckoned with among Ketu performers Offspring of Gelede who ascended the throne at Ohori Ile The one with brass bracelets and anklets Brass ornaments jingle rhythmically (Lawal 1996: 125) The leopard motif here evokes the proverb that says, "The leopard's quiet is not an act of timidity; whoever defies the king will be totally crushed.” (Lawal 1996: 244). CONCLUSION Around the world, alchemists delved deeply into animal symbolism to help them attain their esoteric goals. Within the Yoruba spiritual disciplines, we see how ritual specialists have made use of animal symbolism in order to conceptualize and even facilitate transformation. Thus, Yoruba priests have pursued spiritual expansion as a journey in which they encounter archetypal animal figures. The steps on their journey are paralleled in their rituals, ceremonies and preparation of concoctions. And while they do not aspire to eternal life, nor the transmutation of base metals into gold, Yoruba ritual specialists can be said to incorporate alchemical practices into their sacred arts. [1] Cavalli, Thom. Alchemical Psychology. Pg 21-25 [2] Ajibade George Olusola. ANIMALS IN THE TRADITIONAL WORLDVIEW OF THE YORÙBÁ [3] ANN BRISBANE BAIRD. THE SIGN OF THE LEOPARD: LEOPARD IMAGERY IN THE KINGDOMS OF THE YORUBA, THE KINGDOM OF BENIN, AND THE KINGDOM OF DAHOMEY . When I was finishing graduate school, I had a dream. It started as a graduation procession. Everybody was wearing purple caps and gowns. Suddenly, I floated above the procession and entered into a room. There, I saw two old time, Back men. The one on the right was sitting down. He wore overalls, boots and a red pendleton shirt. The one on the left was standing up. He wore a white suit. They were engaged in a silent negotiation.
The man in overalls seemed to be explaining his position. At one point, a huge engine appeared between them. He stretched his arms, with his hands toward the engine, as if to say, "THIS is what I want to do!" The man in the suit remained completely unmoved. Then, a desk appeared behind them and behind the desk, a door. In walked another Black man, wearing a tweed suit. He leaned on the desk and looked very seriously at each man. Then, all three of them looked at me. I awakened. The man in overalls was my maternal grandfather, Mr. Williams. He was known as a Two Headed Man in the Ville. According to family history, people would come to Mr. Williams with their problems. After listening, he would tell them which herbs to gather. Then, he wold use a #5 tub to wash their feet with an herbal infusion. The man in the white suit was his senior brother, John. While Mr. Williams functioned as a neighborhood healer in his spare time, John Williams was a professional healer, who had used the earnings of his craft to pay for his younger brother's vocational education. Their father, Green Green, was enslaved in Mississippi. Perhaps it was he who taught them the craft. Based upon my understanding of the dream, John wanted Mr. Williams to join him in his Hoodoo practice but when he refused, the obligation fell to me. Living in Accordance With One's Destiny as Defined by the Ancestors In a study on dream analysis among the Nguni people of South Africa, several informants reported dreams wherein their ancestors came to them and demanded that they comply with the obligations of their lineages. In one instance, a man recalled a dream wherein an old man, who was probably his grandfather, did not say anything to him but revealed a certain bag. He interpreted the dream by firstly recalling that his grandfather had been diviner and herbalist , and continued: "If a person looks at you in a dream without saying anything he is cross with you. So my grandfather was cross with me because I was stubborn. Six. months later I got sick and... have been sick since then. the (traditional priests) say I must not look straight but also at the back (past). They say "You are supposed to work for yourself... because your grandfather prepared things for you before you were born'". In the interpretation he expresses his responsiveness to the mood of the person in, the dream. The figure presents as being annoyed and dissatisfied with the informant's actions which are described as "stubbornness". There is a conflict within the dream between the wishes of the informant on the one hand, and the "ancestor" on the other . The conflict relates to the person fulfilling a destiny prepared for him "before" he was "born". The informant is apparently not living in accordance with his own possibilities as revealed by his ancestor. His destiny is revealed as not being within his own control, but through dreams and events, he is made aware of his potential life possibilities, which involves a relationship with a cosmic mode of existence. His failure t.o follow the life which had been "prepared" for him results in him becoming sick. His sickness, however, is meaningful, as it is instrumental in causing him to review his life and life-possibilities, and take cognisance of his ancestor's wishes. His life process is defined not only in terms of the present, but in terms of the past, as well as the future. His past determines that he has been called to be a healer, like his grandfather. His future, if he is to recover and be well, determines that he be a healer and take on the responsibilities implied therein. And so it is for all people of African descent. if we are to be well, we must awaken and fulfill the demands of the Ancestral Promise. NOTES: A PHENOMENOLOGICAL EXPLICATION OF DREAM INTERPRETATION AMONG RURAL AND URBAN NGUNI PEOPLE When our obi is accepted, we eat one, downward-facing lobe and one upward-facing lobe. They represent negativity (ibi) and positivity (ire), respectively.
When I asked Chief Lanre to explain why this is the case, he replied, it is because good and evil are born together, tibi tire. The baby is the ire. The placenta is the ibi. Eating the ibi and the ire represents the synthesis of opposites. It signals the ability to transform both good and evil into fuel for self discovery, growth and expansion. May your obi be accepted. Ase. May there be no limit to your ability to be healed and made whole. Ase. May you work tirelessly to fulfill your ancestral promise. Ase. Obafemi Origunwa, MA | OrisaLifestyle.com #OrisaLifestyle By: Bola Olalekan
Who Actually Is Orunmila?? Ask me this question some few years ago, I mean before the advent of Proudly Yorùbá I would probably say a filthy, ugly, cannibalistic old man who dined with Esu (Esu here would have meant Satan). Seriously, who is Orunmila?? I did my findings and this is what I found… Orunmila bara Agboniregun is the God of wisdom in the Yoruba Ifa religion. God of divination, he is perhaps the most revered as far as Ifa is concerned. Orunmila is called upon more often than any other Orisa in the Ifa Yoruba religion. Olodumare bestows Orunmila with infinite wisdom to foretell, predict and read human minds and thoughts. A sound Babalawo would call on Orunmila during divination to reveal a mystery or to uncover some hidden predicaments. According to the Odu Ifa, Orunmila was said to have lived in the spiritual realm for more than 400years without food and water before descending to earth to help mankind. He set foot first on Oke-Igbeti where he lived for the betterment of mankind. Orunmila’s perfect foretelling and prediction together with his ability to read human thoughts made people call him “Ari inu ri ode olu moran okan” meaning; he capable of reading human minds and thoughts. When Orunmila was at Oke Igbeti, he would call on strangers walking passed him, he would endeavour to tell them about what danger lies ahead and how to avert it. A woman once walked passed Orunmila where he pulled her back, saying woman! Go back home to your husband, your adultery is ruining him! The woman panicked and ran home. Orunmila knocked on a door one day, he told the father of the house to move his livestock into his house and that they should live together in there for seven days, the man hissed and quickly dismissed Orunmila’s advice sooner than later after the third day, a pack of hyenas ate each and every one of them overnight. After much more, Orunmila left Oke-Igbeti for Ejio upon his arrival, Orunmila stormed a joint where young men were drinking palmwine, Orunmila told each of them to change their jobs, he asked them to exchange jobs among themselves. I.e. the one who was a hunter to change job with the one who was a farmer. Only four men agreed and heeded Orunmila’s advice. Orunmila blessed them and left, those who swapped jobs among themselves prospered within weeks like they won jackpot. Those who refused, remained impoverished, now too late to act as Orunmila had left Ejio for Oke-Ileri. When he arrived, he asked them to cut and keep the tree of Baliba especially its bark but no one listened to him. Orunmila alone cut as much bark and leaves of tree Baliba as possible, it was not so long that an epidemic befell Oke-Ileri with which the bark and leaves of Baliba tree were the sole cure. It was in the raining season therefore the Baliba tree was not potent enough unlike when Orunmila asked them to get some for future care. Orunmila gave the ones he had but was not enough, this made him sad coupled with how many had treated him with disdain, he therefore resorted to returning to heaven where he belonged. After he left, the sufferings of mankind persisted, Orunmila was even more displeased with this, knowing if he was around, he would always try to help so the kind-hearted Orunmila returned to earth to continue his good deeds. Orunmila was the youngest of the Orisa sent by Olodumare to discharge various acts to support the universe and mankind. According to Odu Ifa where life of Orunmila is enshrined, he was the wisest human to have lived on earth. He came to earth with Ifa and its embodiment. During a divination, Babalawos would often begin with “Orunmila mo pe o” they would remind him how he listened to Alara and Ajero when they called on him for divination. He often does not let them down. Some have referred to him as ‘Orun ni o mo eniti o la’ others call him Okunrin kukuru Oke Igbeti. So, next time you hear Orunmila, he was not cruel or nasty. He was a kind prophet of Olodumare sent to help mankind. Between September 13-October 2, save up to 50% on courses and get FREE learning materials, including exclusive videos and downloads.
Get it now: https://members.orisalifestyle.com/backtoschool #OrisaLifestyle Orisa rituals are rich in color, taste and sound. Once you have experienced a properly performed divination, sacrifice or festival, you are very likely to emerge with the overwhelming sense that you have taken a fantastic journey into another space and time. Beyond aesthetics, however, orisa rituals reveal a timeless relationship with divine principles that govern the universe. The reason orisa ritual is so compelling is very aptly expressed in a Yoruba adage that says, Let us do things the way we used to do them so that things might turn out the way they used to turn out. An elder will typically recite this saying when he or she wants to remind you to retain the integrity of tradition. It is based upon our understanding that perfection is found in the past. This concept is difficult for the Westerner to accept. We scoff at our elders. Because they are not "hip" we believe they are obsolete. Such is not the case in Yoruba land. There, the elders are held in high esteem. They possess an almost mythic presence that evokes a sense of awe in the youth and children alike. Oftentimes, when explaining the source of his success a man will allude to the powers he received from his father, his uncle or his grandfather. Of course, this respect is rooted in direct experience. Ifa teaches us about the dire consequences of mistreating elders. Consider, for example, the wisdom of the Holy Odu IkaMeji: Ifa says a child is practicing the art of disrespect If he meets a veteran Babalawo Let him slap the Babalawo's Face If he meets an elderly Herbalist Let him beat the herbalist mercilessly If he meets an Abore (Chief executioner) Where he bows his head in supplication to Olodumare Let him push the Abore down These were the declaration of Ifa to the obstinate children When they declared that nobody can contain them They were advised to offer sacrifice They called the Awo a group of cheats They labeled Esu Odara a thief They simply ignored the advice to offer sacrifice Don't you know that Long life does not exist for a child Who slap a veteran Babalawo Longevity does not exist for a child Who beats an elderly Herbalist A child who beats an elderly Abore Where he was supplicating to Olodumare Such a child is courting his own perdition How does a maggot die? Quickly and in droves Do maggots meet their death Quickly and in droves - Holy Odu IkaMeji Common thinkers of contemporary society have not yet made the connection between devastation and disrespect. But, as the Yoruba say, every day is for the thief; only one day is for the owner. When it comes to tradition, the immature, ungoverned and unrestrained are the thieves. Meanwhile, the elders are the true owners. For this reason, the Yoruba will say, Agba kosi, ilu baje. It means, Without elders, the kingdom is doomed. It is precisely this reverence for eldership that enables one to fully appreciate what it means to be a true ritual specialist. In fact, it is safe to say that if you lack the ability to recognize the elders as gatekeepers of all spiritual empowerment, you will never become a true ritual leader. The Orisa Lifestyle Academy is looking for leaders who are committed to improving the world through positive influence. Is that you? If so, find out how our training programs can help take your practice to the next level:
LEARN MORE NOTES: RITUALS, SYMBOLISM AND SYMBOLS IN YORUBA TRADITIONAL RELIGIOUS THOUGHT The Yoruba traditional religion believes in many orisa (deities) created by Olodumare, the supreme being. The anthropomorphic nature of the orisa gives us an insight into color symbolism in Yoruba culture (Adejumo, 2002). One way to gain a better understanding of orisa lifestyle is to explore color symbolism and its relevance Yoruba mysticism. Let us consider one verse of Ifa, which tells of a time when the orisa Orunmila embarked upon an epic journey of considerable difficulty. Orunmila was coming from heaven to earth. He wanted to know of he would be successful there. The awos told Orunmila that he was going to be successful. Eventually, however, the road of fate would lead him to a place that is known for witchcraft. They said, "Orunmila, in order to enjoy long life, you must sacrifice. In addition, you must cling to Obatala and appease awon iyaami osoronga." Orunmila heard and complied. As predicted, Orunmila was very successful in his priestly duties. In the process, he had heard a great deal about a town called Imure. It was notorious for witchcraft. In fact, it was said that every citizen of Imure was either a witch or a wizard. Not only that, it was common that a visitor who went to Imure could be captured and eaten as part of their annual feast. One day, Orunmila decided to visit Imure. Before departing, however, he consulted Ifa, at which time he was advised to make a sacrifice. He was told to give red, black and white cloths to Esu. He was told to give Ogun a dog, a rooster and a tortoise. Finally, Orunmila was told to offer two pigeons, which he would bring along with him on the journey to Imure. Orunmila complied and then set out on his journey. As fate wold have it, Orunmila arrived at Imure just as they were beginning their annual festival. The inhabitants were excited to receive him, as they intended to capture Orunmila and feast on his flesh. They gave Orunmila special accommodations and awaited the opportunity to overtake him. It was then that Esu went into action. He transformed himself into a townsperson and raised doubts about the stature of the visitor. He said that they should test his strength before capturing him. Esu proposed that the entire town should enforce a strict dress code; the next day, everybody should wear white in the morning, red in the afternoon and black in the evening. If Orunmila failed to comply, they should use this as a justification for capturing him. They all agreed with the plan. Now, Esu went to Orunmila. He brought with him the white, red and black fabrics that Orunmila had sacrificed earlier. Esu went on to explain to Orunmila that there was a plot to capture and eat him. In order to protect himself, Esu told Orunmila should wear white in the morning, red in the afternoon and black in the evening. The next day, Orunmila appeared in the morning, wearing all white cloth. The people of Imure were surprised. But they were confident that it was just a coincidence. Surely, Orunmila would not be prepared to change his clothes in the afternoon. That would be their opportunity to capture him. In the afternoon, everybody went home to eat and rest, including Orunmila. After lunch, Orunmila opened his front door and walked out into the street, wearing red cloth. The people of Imure were astonished. How could this be?!?! They still had one more trick up their sleeves. They were absolutely certain that Orunmila would not be prepared to wear black cloth in the evening. So, they would plan to capture him at sunset. After dinner, when Orunmila opened the door and came out for his evening stroll, the people of Imure could not believe their eyes. Orunmila was wearing black clothes. It was then that they recognized Orunmila as above average. The story above reveals how the Yoruba chromatic system is traditionally grouped into three chromatic categories. The first group is known as "funfun," which is commonly recognized as "white." In reality, however, funfun represents a spectrum of colors that can include turquoise, blue, silver, chrome, and other icy colors. Symbolically, funfun connotes peace and purity. Orisa funfun are practically accepted as the ‘good ones’. People wearing white are not expected to do evil. Funfun is mostly associated with Obatala worshippers. They clothe themselves in white cloth, white beads and other white ornaments. Their temples, images, shrine, and other paraphernalia are also white. The worshippers of Obatala must offer him white food. During the Obatala festivals, the sacrificial meal is usually the bloodless animals like snails cooked in Shea butter instead of palm oil. Obatala worshippers are thought to be morally upright and truthful (Idowu 1962). They are expected to be clean and pure in their hearts and behavior, as the white color symbolizes. The next group of color is referred to as "pupa," which can be translated as "red." “Pupa" also encompasses any color that relates to hot, fiery characteristics, such as orange, dark yellow, gold. The color of fire is regarded as red which suggests danger and fearful individuals or creatures. "Pupa" has the psychological dimension of a dangerous personality who possesses a trait of aggression, who lacks patience and might get angry very easily. The "pupa" personality is very dangerous and can be wicked. The associated deities are those that are involved in carrying out acts of aggression and bloodshed. Pupa is the symbol of Ogun and Sango worshippers. The Yoruba generalize all colors that have elements of red or close to red as topola, such as yellow iyeye safa, and sienna (pupa rusurusu). Red signifies blood, danger, fire and searing emotion. It is a strong color for Sango; Ogun and Sanponna. Ogun, for example, is the orisa of iron and anything associated with iron. He is always referred to a being associated with war and warriors, hunters, smiths and anybody who uses or deals with iron. It said that Ogun drinks blood; the blood of circumcision and scarification, of the hunt, of war and of sacrifice. Since Ogun is always thirsty for blood, he has to be appeased to prevent bloodshed either by gunshot or accidents related to iron. His worshippers wear red all over Yoruba land including Ire, Ondo, Ilesha, and Oka-okoko. Sango, the orisa of thunder and lightening, is powerful and temperamental. He is a great fighter who wears bright colors particularly red. His shrines are mostly found in Oyo, Ede and Ibadan, where the worshippers both male and female wear red clothes. The shrines objects and the walls are painted or decorated with red cloth. Sometimes the backgrounds of the shrines walls are spotted with white showing the relationship between Sango and Sanponna. The followers of Sanponna wear red with spotted white and beads of red and white round their necks. Sanponna is feared because of the deadly disease, smallpox and other pestilences, which he inflicts on people. A person inflicted by smallpox can appease orisa by raising a temporary white flag. The use of white color instead of red is to calm the orisa down. In addition to the white flag, palm wine in big gourds, need to be kept at the shrine entrance of Sanponna. However, both palm wine (white) and palm oil (red) are to be kept at the entrance of the house of the patient with smallpox infection. Also, camwood powder mixed with palm oil is used in rubbing the body of the victim for quick healing. "Dudu" is the last group of colors, and can be translated as "black." Dudu also includes any color that is dark with a resemblance of the earth. Brown, and leafy dark greens and moss greens are also considered dudu. The psychological type of dudu is a down-to-earth, practical, earthy sort of personality. It is a symbol of the secret and mysterious world. Deities and gods under this category are usually worshipped in the night and behind closed doors. The Yoruba consider all dark shades as black (dudu). This includes: Prussian blues, as in (aro) indigo for dying clothes: magenta or purple (ayinrin): dark-green algae as in (ewedu) vegetable with green leaves; umber (alawo dudu), lamb-black as (eedu) charcoal and sky blue (ofefe). Black (dudu) is associated with Esu, as well as Orunmila, whose ikin (palm nuts) become black after years of use. When we consider the story of Orunmila's journey to Imure town, his ability to manipulate white, red and black cloth suggests a high level of mystic capacity. In other words, Orunmila demonstrated how he could match the spiritual vibration required at different times of the day. That is, he could be cool and benevolent, which is associated with white cloth. Likewise, he could be firey and dangerous, represented by the red cloth. Finally, he could be earthy and mysterious, represented by the black cloth. In the Holy Odu OgundaMeji, Ifa tells us of Ogun's son, whose name is Ina. When Ogun's wife was expecting, he went to consult Ifa. The babalawo advised Ogun that he would have a son who would become great and whose name would be known all over the world. Here, the sacred text says the following:
Reputation Clamor These were Ifa's messages to Ogun Who woulld beget one child Whose influence would be felt the world over He was advised to offer sacrifice The babalawo said that Ogun must offer one he-goat, a bundle of white cloth, red cloth and black cloth so that the boy would be born safely and have a good reputation as well. Ogun offered the he-goat for safe delivery, but failed to make the sacrifice for good reputation. Ina was born safely, but arrived with intense drama. For one, the hands of the midwife who tended his birth were severely burnt as soon as she touched him. Then, after his first bath, they tossed his bath water into the bushes. When the water touched the bushes they immediately caught fire. As Ina grew up, any time he was happy, he wore white, red and black cloth, which his father had refused to sacrifice at the time of his birth. At those times, when his energy was highest, destruction would follow. Consequently, Ina's reputation become synonymous with fear and trepidation. At the same time, however, because he was the son of Ogun, Ina was indispensable. Nobody could cook without him. No house could be kept warm without him. Even Ogun himself could not perform blacksmithing without him. As a result, while some were trying to get rid of him, others were clamoring to get closer to him. Eventually, the wise ones assembled and they declared, We must figure out a way to manage Ina, son of Ogun. They devised a plan. Ina must be respected for who he is and not placed in places that are not suitable to his nature. When we see him clothed in white, red and black cloth, we will withdraw at once. Thus, if ever a farm or a home was burned, the owner himself was deemed irresponsible for mismanaging Ina, which is fire. Ifa says that we shall not extinguish the flame of youth. Instead, we will learn to manage that flame in a way that it is constructive to collective well being. NOTES Johnson O. Oladesu. The Construal of Yoruba Colour Philosophy and Symbolism. Imagine, if you were a football coach and you ignore your goal to win the championship and focus only on what your team does at practice each day, would you still get the result? While the goal is to win it all, you would be foolish to spend the whole game thinking about the championship instead of focusing on continuous improvement. Here's a pro tip: When you have the right practice, you just have to focus on that. When I say focus on the practice, I am not saying that initiation is bad. Initiation gives you direction. But the ONLY way to take the journey is by implementing a system of continuous, small improvements that helps you achieve the desired outcome. The Orisa Lifsstyle Academy specializes in helping you to build a spiritual practice, from the ground up. Learn more: OrisaLifestyle.com.
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Ifa’s message for Esu Odara Who insisted that he would not eat kolanut with four lobes Except the one with three lobes He was advised to offer ebo He complied He declared that he eats kolanuts with three lobes And people receive the blessing of property and of parcels of land and many children They were also blessed with all ire of life - Holy Odu IworiOwonrin Learn more about Obi Divination: Dida Obi Sunday Adeniyi Adeyemo, popularly known as Sunday Igboho (born 10 October 1972) at Igboho town, located in Oke-Ogun, Oyo State. He is a business magnate, activist and philanthropist. Nicknamed after his hometown, Mr Igboho rose to fame following his role in the Modakeke-Ife communal crisis in 1997, where he played an active part.[1] Many believe Mr Igboho has metaphysical abilities which make him a formidable opponent in battle. He is the chairman of Adeson International Business Concept Ltd and the Akoni Oodua of Yoruba.[2][3] He gained social media attention in January 2021 when he gave an ultimatum to Fulani herdsmen in Ibarapa to vacate the land after the killing of Dr. Aborode and enforced same.[4][5] He was arrested on Monday night in Cotonou, after trying to flee Nigeria to Germany. From Osun to Oyo states and some other places in the South West, the name, Sunday Igboho, rings a bell. Either as a result of several tales and myths about the 45-year-old man who reportedly commands guns into appearance and is feared for what many see as a lifestyle of brigandage or an encounter with him in real life or through a recent eponymous Yoruba home video, a meeting with Chief Sunday Adeyemo alias Sunday Igboho, is certain to arouse curiosity. In this interview by MOSES ALAO, he speaks on his life, how he came about his name and metaphysical prowess and his decision to contest the governorship seat in Oyo State in 2019. [5a] Whenever and wherever Sunday Igboho is mentioned, what comes to the minds of most people is a picture of brigandage and violence, but you have often maintained that you are a man of peace. Who is Sunday Igboho?
People don’t know a lot of things about me. The thing I detest the most is oppression: whenever I see that anyone is being oppressed or cheated for being on his right, I defend such people. I say it all the time that anyone who can point out that Sunday Igboho killed someone should come out with the facts. Even at the height of the heated politics between the late Chief LamidiAdedibu and former Governor Rashidi Ladoja in Oyo State, I didn’t kill anyone. The only thing I did was to protect Ladoja and shield him from harm whenever he was to be attacked. As hot as the venue of the Akure, Ondo State primary of the Peoples Democratic Party (PDP) was in 2006, I ensured the safety of the former governor. People made moves to buy me over in order to harm Ladoja but I refused. I am a loyal person; I do not betray anyone I am with. Go and ask about me. And let me tell you that it was the Adedibu-Ladoja face-off that made people to shout my name as if they know me. I am a man of peace. Let me tell you what happened some years back. There was a crisis between some quarters in Igboho and people were shooting, attacking one another. People expected me to go home and join in the fight because Modeke, where I am from, was in the fight. They expected me to support killing but I didn’t do that. I said I am from Igboho and my people could not be fighting one another. I settled the dispute; I called all the stakeholders and told them all to end the crisis. Soldiers could not end that crisis back then, but I did. Many people prayed for me while others felt angry that I didn’t support them. My position then was that those being wasted could become the benefactors of the killers and even the town. So, Sunday Igboho is a man doing the task God sent him. Yes, I am a tough person; some can call me a trouble-maker, but I am not. That is the truth.[5b] The Vulture perches on top of a high wall Its gaze would cover the city Its gaze would cover the forests Cast divination for Saniyan Saniyan, the slave of destiny in heaven He was asked to offer sacrifice Everybody had chosen what he or she would become during his or her subliminal stage When coming from the city of heaven When he arrived on the earth He was asking for what to do ‘Do you know what’? They said Òrúnmìlà is the one that knows no other thing except sacrifices All those things which man chooses as destiny that is bad It is he that would use sacrifice to mend it They told Saniyan to go and offer sacrifice to his Orí ‘It is their Orí that would be against them’ ‘They would say it is Ifá’ He performed the sacrifice And life pleased him They retraced their steps to the right way They said it was exactly what his Babaláwos predicted The Vulture perches on top of a high wall Its gaze would cover the city Its gaze would cover the forests Cast divination for Saniyan Saniyan, the slave of destiny in heaven He was asked to take care of the ground And offer sacrifice They would say it is Ifá Saniyan If their Orí is against them They would say it is Ifá Saniyan So it is their Orí that is against them in the earth? - Holy Odu OyekuIka One way to fully appreciate the significance of this verse is to take into consideration the fact that Orunmila is praised as the Eleri ipin, or intermediary of fate. In the Holy Odu IrosunOse, Ifa teaches that when the irunmole sent Ori to bring Eniyan [humanity] back to heaven, it was Orunmila who agreed to return to heaven on Eniyan's behalf, and appease all the deities. Out of appreciation, the irunmole accepted the offerings and declared that Eniyan would be further blessed. In addition, Eniyan would be required to complete the ritual annually and that Orunmila would function as the intermediary of eniyan's fate. That is, Orunmila would carry Eniyan's sacrifice to the irunmole. And so, tension between heaven and earth is conceptualized as a brokered exchange. At the root of this exchange, however, is your ability to make informed decisions, as is clearly expressed in the verse of OyekuIka: All those things which man chooses as destiny that is bad It is he [Orunmila] that would use sacrifice to mend it People sometimes choose misfortune for ourselves. Our judgement can be flawed. Our perception can be distorted. We can be downright foolish. Either way, we must acknowledge the fact that there are times when we are the source of our problems. In those instances, you might say that Ori works against us. The Holy Odu OyekuIka definitely says as much: ‘It is their Orí that would be against them’ ‘They would say it is Ifá’ Here, it is also important to consider how Ifa works best. Through wise teachings, which require sacrifice, combined with observances, Ifa imposes a set of behavioral standards onto the individual, as well as the group. These standards ensure a certain quality of life by outlining what must be done to maintain stability, increase prosperity and strengthen dignity.
As such, Ifa sets performance limits, as well as requirements. On one hand, there are things you cannot do. On the other hand, there are things at which you must be excellent. Most importantly, Ifa reveals itself through natural consequences. I have heard it said that "If Ifa did not manifest like a nightmare, the novice would never become a believer." This is certainly what must inform Òrúnmìlà's reputation for being a very disciplined ritual specialist, which is clearly stated in the verse of OyekuIka, above: Òrúnmìlà is the one that knows no other thing except sacrifices. So, whenever you go to consult Ifa, be prepared to complete the sacrifice. As OyekuIka informs us, when he went to consult Ifa, "They told Saniyan to go and offer sacrifice to his Orí... He performed the sacrifice and life pleased him." And so it was, that Saniyan became seru ipin l'orun, the slave of destiny in heaven, which is a way to praise Ori. Through Ifa devotion you practice the art of serving your destiny faithfully. Stated differently, by doing the same things for Ori that Orunmila does, you become the broker of peace and order in your life and the lives of those you're destined to serve. Thus, you gradually resolve the tension between heaven and earth, between the physical and metaphysical worlds. THE GOOD CONDITION It is vital that you also know that the name Saniyan means, "A specially chosen person." This fact points directly to the very purpose of humanity, which is called Eniyan, meaning "A chosen person." The name derives from a verse from the Holy Odu IrosunIwori, which says: Let us do things with joy. Those who want to go, let them go. Those who want to stay, let them stay. Surely, humans have been chosen to bring good into the world. The all-knowing one, priest of Òrunmìlà, Cast Ifá for Òrunmìlà. He said the people of the world would come to ask him a certain question. He said that Òrunmìlà should sacrifice. Òrunmìlà heard and complied. One day, all kinds of people; good people and those who do not allow good in other people’s lives gathered together. They then went to Òrunmìlà. They said “Coming back and forth to earth tires us, Òrunmìlà. Therefore, please allow us to rest in heaven.” Òrunmìlà said “You cannot avoid going back and forth to earth Until you bring about the good condition that Olódùmarè has ordained for every human being. After then, you may rest in heaven.” They asked “What is the good condition?” Òrunmìlà said “The good condition is a good world; a world in which there is full knowledge of all things; happiness everywhere. Life without anxiety or fears of enemies. Without clashes with snakes or other animals, Without fear of death, disease, litigation, losses, wizards, witches or Èsù. Without fear of poverty or misery. Because of your wisdom, your compelling desire for good character and your internal strength. The things needed to bring about the good condition in the world then are; Wisdom that is fully adequate to govern the world; Sacrifice, character, the love of doing good for all people, especially those in need, And those who seek our assistance, And the eagerness and struggle to increase good in the world, And not let any good at all be lost. People will continue to go to heaven And they will go back and forth to earth after their transfiguration Until everyone has achieved the good condition. Thus, when the children of Odùduà gather together, Those chosen to bring good into the world are called Ènìyàn, or the chosen ones.” As a result of the declaration above, the descendants of Odùduà are known as ènìyàn, which means “the chosen ones” in Yoruba. More significantly, this particular text explains that Olódùmarè, the Creator and Lord of life and existence, has assigned each of us a divine mission to help bring about the Good Condition. CONCLUSION I am always looking for leaders who are devoted to improving the world through positive influence. Is that you? Visit ObafemiO.com or OrisaLifestyle.com to find out how Obafemi Origunwa and the Orisa Lifestyle Academy can help you live the medicine that will heal your life and heal the lives of those you're destined to serve. The Yoruba say, "Concede to each person his or her own character." It speaks to our value for acceptance. One person may be extrovert, while another is introvert. One prefers spicy food, but the other cannot stand it. One is quick of mind and outspoken, while the other expresses herself through movement and does not speak much. As a professional teacher and priest, it is my responsibility to recognize these traits as learning styles and use my expertise to help every student to fulfill his or her potential.
When I met Dr. Afivi, she was interested in my course, the Fundamentals of Orisa Lifestyle. She called me with her questions - some of which were quite pointed - all of which I gladly answered. In the five years since then, she has successfully completed the Personal Priesthood Certification, which is a one year course of study. In addition, Dr. Afivi has also enrolled in the School of Orisa Studies and demonstrated proficiency in all five areas of spiritual specialization. In the year 2020, Ifa advised me that there were several candidates for initiation who were ready to be taken to the Sacred Grove and be introduced to the mysteries of Orisa. Dr. Afivi was among them. So, in June of 2021, she and I made the fateful journey to the compound of Chief Lanre Okemuyiwa, the Apesin Awo of Gbagura land in Abeokuta. There, Dr. Afivi and I met a host of priests, priestesses and drummers from several kingdoms, including Abeokuta, Ijebu and Awori. There are many kinds of Yoruba ritual that focus on individual spiritual development. In every instance, the ritual specialists set out to determine the exact nature of one's ori inu, inner head. Here, the goal is to discover the optimal pathway to fulfilling one's earthly purpose. While some must serve a particular Orisa, others must focus upon their ancestors. In either case, the iyawo orisa (new initiate) will learn those things to do and those things to avoid in order to optimize the journey of life. As a babalawo, who is not initiated into the mysteries of Orisa, I was forbidden entry into the Sacred Grove with her. However, at specified times, the Iyalorisa (Chief Priestess) would send for me to come and observe, pray and bring things to the iyawo. It was during those times that I could see the admiration and care the priestess were giving to the iyawo. As a professional educator myself, I saw the playful, yet stern way they guided her. Likewise, I saw the serious and sincere way that the iyawo received instruction and participated in the initiatory process. During a brief conversation between the iyawo and I, she remarked how helpful her training had been. More exactly, she told me how confident she felt because she was able to follow the ritual flow, even though she did not speak enough Yoruba to understand what was being said. Later on, when I had left the iyawo's secluded chambers, Chief Lanre also remarked that he was very impressed with the way in which the iyawo was able to be an active participant in the ceremonies. At one point, he noted her training in the Orisa Lifestyle Academy and said that he was in total support of our insistence upon getting trained BEFORE getting initiated. Orisa initiation is conceptualized as a journey, in and of itself. The iyawo and priestess travel from one place to another, reenacting the sacred text and exploits of the divinities. Along the way, the travelers endure hardships, as well as triumph. No journey is complete with a return. But the experiences give the travelers keys to reflection and deeper understanding. Paramount among those keys is the divination text that gives birth to the iyawo's spiritual path. Once the ceremonies had concluded, the iyawo emerged, reborn and renewed. Ifa confirmed that her offerings had been accepted and that, henceforth, she would be called Osundoyin Akanke. And so, it is my extreme honor to rejoice with Osun's daughter. I pray that her ori will enable her to make a meaningful contribution to the tradition and to the global African community at large. Ase! In Trinidad, it's called Spiritual Baptist. In Jamaica, they call it Revivalist. In Cuba, it's called Espiritismo. In Brazil, they call it Umbanda. In the USA, it's COGIC. In Nigeria, they call it Aladura.
And while each of these traditions are distinct from one another, with their own protocols, methodologies and values, they are bound, like children of the same mother; Africa. Many years ago, before everything was posted on social media, if you wanted exposure to the culture, you had physically seek out the practitioners wherever they could be found. Consequently, on more than one occasion, I found myself attending late night meetings in people's living rooms, trying my best to figure out what exactly was going on. One Sunday afternoon, I ended up at an Aladura church in L.A. The drums, tambourines and songs were hot like fire! It was reminiscent of the Baptist church in so many ways; the shouting, the wailing and possession were all familiar to me, even if I couldn't understand everything being said. All of that shifted once worship concluded. At the close of services, the men invited me to help them to move a stone... a boulder, actually! It took at least six of us to get it from the flatbed out front, roll it from the front of the church, all the way into large patio in the back. There, the entire ground was covered with sand, leading up to a verandah. Beneath the verandah, there was a simple altar. I could see where the stone would be placed, right in the center. But, just as I was dreaming of seeing it up close, one of the men politely thanked me for my help, complemented me on my strength and asked me to return to the sanctuary. I am certain that every one of the folks in that church would consider themselves Christian. Much like my family in Louisiana, who live at the very heart of hoodoo swamp culture, the Aladura worshippers take great pride in their devotion to Jesus Christ, the Redeemer. The great stone, the ecstatic worship and the regular occurence of spirit possession have been absorbed into their own, special strain of Christianity. Just a couple of years ago, I was fortunate to participate in a very deep Spiritual Baptist ceremony in Trinidad. It is called Mourning. The ceremony consisted of seven days of sensory deprivation, accompanied by relentless prayer and devotion. While the liturgy was drawn exclusively from the Bible and the ceremony took place in a church, I assure you, it was 100% African spirituality. My eyes were opened as a result of the Mourning ceremony. I literally saw what my physical eyes could never behold. It was an experience that I will forever cherish, for it revealed the genius of African spiritual innovativeness. |
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